Showing 61-74 of 74 items.

Lalo

The University of Arizona Press

He has been called "the father of Chicano music" and "the original Chicano hepcat." A modest man in awe of his own celebrity, he has sung of the joys and sorrows, dreams and frustrations of the Mexican American community over a sixty-year career. Lalo Guerrero is an American original, and his music jubilantly reflects the history of Chicano popular culture and music.

Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938. During the fifties and sixties his music dominated the Latin American charts in both North and South America, and his song "Canción Mexicana" has become the unofficial anthem of Mexico.

Through the years, Lalo mastered boleros, rancheras, salsas, mambos, cha-chas, and swing; he performed protest songs, children's music, and corridos that told of his people's struggles. Riding the crest of changing styles, he wrote pachuco boogies in one period and penned clever Spanish parodies of American hit songs in another. For all of these contributions to American music, Lalo was awarded a National Medal of the Arts from President Clinton.

Lalo's story is also the story of his times. We meet his family and earliest musical associates—including his long relationship with Manuel Acuña, who first got Lalo into the recording studio—and the many performers he counted as friends, from Frank Sinatra to Los Lobos. We relive the spirit of the nightclubs where he was a headliner and the one-night stands he performed all over the Southwest. We also discover what life was like in old Tucson and in mid-century L.A. as seen through the eyes of this uniquely creative artist.

"In 1958," Guerrero recalls, "I wrote a song about a Martian who came to Earth to clear up certain misunderstandings about Mars. Now I have decided that it is time to set some things straight about Lalo Guerrero." Lalo does just that, in an often funny, sometimes sentimental story that traces the musical genius of a man whose talent has taken him all over the world, but who still believes in giving back to the community. His story is a gift to that community.

The book also features a detailed discography, compiled by Lalo's son Mark, tracing his recorded output from the days of 78s to his most recent CDs.

  • Copyright year: 2002
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Privileging the Past

Reconstructing History in Northwest Coast Art

UBC Press

This book explores intellectual issues raised by postmodern theory, supported by detailed studies of projects that will interest a boad audience of students, historians, museum-goers, and those intrigued by Native American art and cultural history.

  • Copyright year: 1999
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Paul Kane's Great Nor-West

UBC Press

In this beautifully designed and richly illustrated book, Diane Eaton and Sheila Urbanek re-create Paul Kane's heroic journey across Canada and bring to life the people, places, and events he experienced.

  • Copyright year: 1995
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The Early Years of Native American Art History

The Politics of Scholarship and Collecting

UBC Press

This collection of essays deals with the development of Native American art history as a discipline.

  • Copyright year: 1992
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Kwakiutl String Figures

UBC Press

Kwakiutl String Figures will interest students of comparative cultures and will delight all who have time (and string) on their hands.

  • Copyright year: 1992
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Cannibal Tours and Glass Boxes

The Anthropology of Museums

UBC Press

Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world.

  • Copyright year: 1992
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Kachina Dolls

The University of Arizona Press

Much has been written about the popular kachina dolls carved by the Hopi Indians of northern Arizona, but little has been revealed about the artistry behind them. Now Helga Teiwes describes the development of this art form from early traditional styles to the action-style kachina dolls made popular in galleries throughout the world, and on to the kachina sculptures that have evolved in the last half of the 1980s.

Teiwes explains the role of the Katsina spirit in Hopi religion and that of the kachina doll—the carved representation of a Katsina—in the ritual and economic life of the Hopis. In tracing the history of the kachina doll in Hopi culture, she shows how these wooden figures have changed since carvers came to be influenced by their marketability among Anglos and how their carving has been characterized by increasingly refined techniques.

Unique to this book are Teiwes's description of the most recent trends in kachina doll carving and her profiles of twenty-seven modern carvers, including such nationally known artists as Alvin James Makya and Cecil Calnimptewa. Enhancing the text are more than one hundred photographs, including twenty-five breathtaking color plates that bring to life the latest examples of this popular art form.

  • Copyright year: 1991
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Dear Nan

Letters of Emily Carr, Nan Cheney, and Humphrey Toms

Edited by Doreen Walker
UBC Press

This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr written between 1930 to 1945, the most prolific period in Carr's career as both painter and writer.

  • Copyright year: 1990
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Chiefs of the Sea and Sky

Haida Heritage Sites of the Queen Charlotte Islands

UBC Press

Presents an overview of extensive research carried out by archeologist George MacDonald in the 1960s and 1970s to document the history of the Haida villages of the Queen Charlotte Islands.

  • Copyright year: 1989
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The Athenians and Their Empire

UBC Press

In this straightforward but colourful narrative, the only critical study of its kind, Malcolm McGregor explains how democracy was nurtured in Athens and how effective government was achieved.

  • Copyright year: 1987
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Robes of Power

Totem Poles on Cloth

UBC Press

Not only the first major publication to focus on button blankets, but also the first oral history about them and their place in the culture of the Northwest Coast.

  • Copyright year: 1987
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Jack Shadbolt and the Coastal Indian Image

UBC Press

Here is Marjorie Halpin's insightful exploration of Aboriginal motifs in Jack Shadbolt's painting, which reveal his emotional sympathy with Coastal peoples and anticipates the cultural quickening of Aboriginal Canadian society in recent years.

  • Copyright year: 1986
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Haida Monumental Art

Villages of the Queen Charlotte Islands

UBC Press

Combining archeology and ethnohistory, this book presents an integrated framework for understanding the physical structure of a Haida village, through remarkable photographs, site plans and detailed descriptions of fifteen major villages

  • Copyright year: 1994
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Totem Poles

An Illustrated Guide

UBC Press

This bestseling guide helps readers interpret and enjoy the form and meaning of totem poles -- as ancestral emblems and ceremonial objects, as expressions of wealth and power, as mythological symbols and magnificent artistic works of the people of the Pacific Northwest.

  • Copyright year: 1981
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