Christina Ionescu

This volume presents in-depth and contextualized analyses of a wealth of visual materials. These documents provide viewers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature. The premise of this collection responds to a fundamental question: how are early modern texts, objects, and systems of knowledge imaged and consumed through bimodal, hybrid, or intermedial products that rely on both words and pictures to convey meaning?

This volume presents in-depth and contextualized analyses of a wealth of visual materials. These documents provide viewers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature. The premise of this collection responds to a fundamental question: how are early modern texts, objects, and systems of knowledge imaged and consumed through bimodal, hybrid, or intermedial products that rely on both words and pictures to convey meaning?

Exploratory and energetically analytical, 1650–1850 ranges over the expanse of long eighteenth-century culture. Welcoming research on all nations and language traditions, this annual escorts its readers into a truly global Enlightenment. Volume 29 includes essays on familiar topics such as Samuel Johnson and women’s education while it also showcases Sir Joseph Banks’s globetrotting and provides a vivaciously interdisciplinary special feature on the cultural implications of water. Capping it all off is a diverse bevy of robust, full-length book reviews.