We Interrupt This Program tells the story of how Indigenous people are using media tactics in the realms of art, film, television, and journalism to rewrite Canada’s national narratives from Indigenous perspectives.
Miranda Brady and John Kelly showcase the diversity of these interventions by offering personal accounts and reflections on key moments – witnessing survivor testimonies at the Truth and Reconciliation Commission, attending the opening night of the ImagineNative Film + Media Festival, and discussing representations of Indigenous people with artists such as Kent Monkman and Dana Claxton and with CBC journalist Duncan McCue. These scene-setting moments bring to life their argument that media tactics, as articulations of Indigenous sovereignty, have the power not only to effect change from within Canadian institutions and through established mediums but also to spark new forms of political and cultural expression in Indigenous communities and among Indigenous youth.
Theoretically sophisticated and eminently readable, We Interrupt This Program reveals how seemingly unrelated acts by Indigenous activists across Canada are decolonizing our cultural institutions from within, one intervention at a time.
This book will appeal to wide spectrum of readers – from students and scholars in communications and media studies to those with a general interest in Canadian art, culture, history, journalism, anthropology, and Indigenous studies.
...the book chronicles the breadth of media interventions employed by Aboriginal media creators, foregrounding Indigenous worldviews, agency and resilience while challenging colonial myths. It is a vital resource for anyone seeking to understand Indigenous cultural expression in Canada in the digital age.
[We Interrupt this Program] provides an analytical perspective to help readers reflect on what types of new interruptions may be brewing – or to plan the interventions themselves.
Through engaging and well-balanced snapshots of the past decade in Indigenous arts, media, and journalism in Canada, this book offers fresh insights into recent political and cultural transformations. It is an indispensable resource for students of Indigenous media and contemporary culture and an essential addition to the shelves of professionals and others in Canada’s cultural and media industries.
We Interrupt This Program highlights the urgent need to centre Indigenous voices in Canada. For too long, Canada’s settler myths have gone unchecked. It’s time to hear Indigenous people say, from the top of our lungs, ‘We’re still here! We’ve always been here! We’ll always be here! ... And these are our stories.’
We Interrupt This Program is a superb account of contemporary settler Canadian and Indigenous relationships as expressed in art, media, and public discourse. Its examples are wide-ranging and encompass multiple media domains and the multiple voices, stories, and perspectives of artists, filmmakers, journalists, and community members.
Introduction: Indigenous Media Tactics
1 Media Practices and Subversions: Survivor Testimonials in the Truth and Reconciliation Commission
2 IsumaTV’s “Testimony by Isuma”: Online Expressions of Inuit Culture and Assimilation
3 Redfacing, Remediation, and Other Indigenous ArtTactics: Challenging Cultural Institutions
4 imagineNATIVE as Industry Intervention: Supporting and Growing Indigenous Media Makers
5 Reporting News in Indigenous Communities: A Conversation with Journalist Duncan McCue on Respect and Relationality
Conclusion: Media Tactics Old and New
Notes; Works Cited; Index
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