The Theatre of Regret reveals the role that Indigenous and allied literatures play in challenging state-centred discourses of reconciliation in Canada.

Reframing Manitou Aki (Creator's Land) history from the perspective of the Ojibway-Anishinabe, Our Hearts Are as One Fire shares a vision for the leaders of today and tomorrow.

In examining how the technologies of museum bureaucracy – the ledger book, the card catalogue, the database – operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.

Invested Indifference exposes the tenacity of violence against Indigenous people, arguing that some lives are made to matter – or not – depending on their relation to the settler-colonial nation state.

Bois-Brûlés shatters the prevailing orthodoxy that Métis communities are found solely in western Canada by demonstrating that a distinct community emerged in the fur trade frontier of Quebec in the early nineteenth century and persists to this day.

This thoughtful and engaging examination of the Guerin case shows how it changed the relationship between governments and Indigenous peoples from one of wardship to one based on legal rights.