Beyond Rights examines the legal, political, and cultural implications of the ground-breaking process of negotiating the Nisga’a treaty.

This fully illustrated volume sheds new light on Plains culture and the centuries old use of the well-hidden space at Lookout Cave.

In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.

Writing the Hamat̓sa critically surveys more than two centuries worth of published, archival, and oral sources to trace the attempted prohibition, intercultural mediation, and ultimate survival of one of Canada’s most iconic Indigenous ceremonies.

The Social Life of Standards reveals how political and technical tools for organizing society are developed, applied, subverted, contested, and reassembled as local communities interact with standards created by external forces.

In examining how the technologies of museum bureaucracy – the ledger book, the card catalogue, the database – operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.

Bois-Brûlés shatters the prevailing orthodoxy that Métis communities are found solely in western Canada by demonstrating that a distinct community emerged in the fur trade frontier of Quebec in the early nineteenth century and persists to this day.

In Caring for Eeyou Istchee, Indigenous and non-Indigenous partners reveal how protected area creation presents a powerful vehicle for Indigenous stewardship, biological conservation, and cultural heritage protection.