This fully illustrated volume sheds new light on Plains culture and the centuries old use of the well-hidden space at Lookout Cave.

Feathered Entanglements investigates human–bird relations across the Indo-Pacific and shows what birds can teach us about how to live with other species in the Anthropocene.

Against the backdrop of the United Nations Declaration on the Rights of Indigenous Peoples, Protecting Indigenous Knowledge and Heritage examines past and emerging issues in the recognition of Indigenous inherent human rights and knowledge within a Canadian legal context.

Drawing on a unique blend of Indigenous and Western sources, Signs of the Time explores Nlaka’pamux rock art making to reveal the historical and cultural meaning beneath its beguiling imagery.

This fascinating exploration into the history a nineteenth-century model of a Haida village, carved by Haida artists, offers insights not only into Pacific Northwest history but also into how the Haida represented their culture during a time when that culture threatened by colonial activity.

Witness to the Human Rights Tribunals offers a behind-the-scenes account of the difficulties facing Indigenous people in human rights tribunals, and the struggles of experts to keep their own testimony from being undermined.

Forging Diasporic Citizenship is a work of narrative research that explores the nature and implications of “diasporic citizenship” as it is evolving among German-born, Turkish-origin Berliners.

In the Name of Wild takes you on the five-year journey one family made across five continents to re-imagine the meaning of wildness.

Frontier Fieldwork exposes the transformative power that early-twentieth-century fieldwork had in placing the Sino-Tibetan borderlands at the centre of China’s nation-making process and race to modernity.

Small Bites travels the globe to show how biology and culture influence how children eat, and how child nutrition can be made more equitable and sustainable.

Beyond Rights examines the legal, political, and cultural implications of the groundbreaking process of negotiating the Nisga’a treaty.

In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.

Writing the Hamat̓sa critically surveys more than two centuries worth of published, archival, and oral sources to trace the attempted prohibition, intercultural mediation, and ultimate survival of one of Canada’s most iconic Indigenous ceremonies.

The Social Life of Standards reveals how political and technical tools for organizing society are developed, applied, subverted, contested, and reassembled as local communities interact with standards created by external forces.

In examining how the technologies of museum bureaucracy – the ledger book, the card catalogue, the database – operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.

Bois-Brûlés shatters the prevailing orthodoxy that Métis communities are found solely in western Canada by demonstrating that a distinct community emerged in the fur trade frontier of Quebec in the early nineteenth century and persists to this day.

In Caring for Eeyou Istchee, Indigenous and non-Indigenous partners reveal how protected area creation presents a powerful vehicle for Indigenous stewardship, biological conservation, and cultural heritage protection.

Meet Elder Elsie Paul and discover her stories, family history, and teachings – ʔəms tɑʔɑw – in a multimedia, online book that captures the wit and wisdom of her storytelling.