Art

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Colin Campbell Writings

Concordia University Press
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Uplift

Visual Culture at the Banff School of Fine Arts

UBC Press

The first major historical study of the Banff School of Fine Arts, Uplift reveals the foundational role of the school in shaping what is today the globally renowned Banff Centre for Arts and Creativity.

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The Bomb in the Wilderness

Photography and the Nuclear Era in Canada

UBC Press

The Bomb in the Wilderness is an acutely perceptive analysis of Canada’s nuclear footprint through the medium of photography, revealing how we have represented, interpreted, and remembered nuclear activities since 1945.

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A Sojourn in Paradise

Jack Robinson in 1950s New Orleans

University Press of Mississippi

A celebration of the New Orleans life and early career of famed fashion photographer Jack Robinson.

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Everything is Relevant

Writings on Art and Life, 1991-2018

Concordia University Press

A compelling and illuminating collection of Canadian artist Ken Lum’s diverse writings from the early 1990s to the present.

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The Way Home

UBC Press, On Point Press

Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.

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Inside Killjoy’s Kastle

Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings

UBC Press

Exploring the making and experience of a lesbian feminist haunted house, this book reframes and reclaims queer feminist histories with humour, provocation, and theoretical sophistication.

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Ruling Out Art

Media Art Meets Law in Ontario’s Censor Wars

UBC Press

This fascinating account of Ontario’s 1980s’ censor wars shows that when art intersects with law, artists have the power to transform the law, and the law, in turn, can influence the concept of art.

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Incorporating Culture

How Indigenous People Are Reshaping the Northwest Coast Art Industry

UBC Press

Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.

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