Art

Showing 11-20 of 22 items.

Husk of Time

The University of Arizona Press

Photographer and filmmaker Victor Masayesva, Jr., was raised in the Hopi village of Hotevilla and was educated at the Horace Mann School in New York, Princeton University, and the University of Arizona. His immersion in photographic experimentation embraces a projection of stories and symbols, natural objects, and locations both at Hopi ...

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Sunshot

The University of Arizona Press

The Devil's Highway crosses a stretch of borderland desert in northern Mexico where many immigrants have traveled--and too many have died. It is a despoblado where desperate people defend secret places. But it is also known as El Gran Desierto--a place where stately saguaros stand near aromatic elephant trees, where sand dunes ...

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Tséyi' / Deep in the Rock

The University of Arizona Press

To visitors it is Canyon de Chelly, a scenic wonder of the Southwest whose vistas reward travelers willing to venture off the beaten track. But to the Diné, it is Tséyi', "the place deep in the rock," a site that many have long called home.

Now from deep in the heart of the Diné homeland comes an extraordinary book, a sensitive merging ...

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Beyond the Reach of Time and Change

The University of Arizona Press

Around the turn of the twentieth century, most photographs of Indians pandered to shameless, insensitive stereotypes. In contrast, photographic portraits made by Frank A. Rinehart conveyed the dignity and pride of Native peoples.

More than 545 Native Americans representing tribes from all over the country attended the Trans-...

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Navajo Weaving in the Late Twentieth Century

The University of Arizona Press

According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beauty—a rich tradition that continues to the present day.

In testimony to this living art form, this book presents 74 dazzling ...

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Blanket Weaving in the Southwest

The University of Arizona Press

Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben ...

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Nampeyo and Her Pottery

The University of Arizona Press

At the beginning of the twentieth century, Hopi-Tewa potter Nampeyo revitalized Hopi pottery by creating a contemporary style inspired by prehistoric ceramics. Nampeyo (ca. 1860-1942) made clay pots at a time when her people had begun using manufactured vessels, and her skill helped convert pottery-making from a utilitarian process ...

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Lalo

The University of Arizona Press

He has been called "the father of Chicano music" and "the original Chicano hepcat." A modest man in awe of his own celebrity, he has sung of the joys and sorrows, dreams and frustrations of the Mexican American community over a sixty-year career. Lalo Guerrero is an American original, and his music jubilantly reflects the history of Chicano popular culture and music.

Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938. During the fifties and sixties his music dominated the Latin American charts in both North and South America, and his song "Canción Mexicana" has become the unofficial anthem of Mexico.

Through the years, Lalo mastered boleros, rancheras, salsas, mambos, cha-chas, and swing; he performed protest songs, children's music, and corridos that told of his people's struggles. Riding the crest of changing styles, he wrote pachuco boogies in one period and penned clever Spanish parodies of American hit songs in another. For all of these contributions to American music, Lalo was awarded a National Medal of the Arts from President Clinton.

Lalo's story is also the story of his times. We meet his family and earliest musical associates—including his long relationship with Manuel Acuña, who first got Lalo into the recording studio—and the many performers he counted as friends, from Frank Sinatra to Los Lobos. We relive the spirit of the nightclubs where he was a headliner and the one-night stands he performed all over the Southwest. We also discover what life was like in old Tucson and in mid-century L.A. as seen through the eyes of this uniquely creative artist.

"In 1958," Guerrero recalls, "I wrote a song about a Martian who came to Earth to clear up certain misunderstandings about Mars. Now I have decided that it is time to set some things straight about Lalo Guerrero." Lalo does just that, in an often funny, sometimes sentimental story that traces the musical genius of a man whose talent has taken him all over the world, but who still believes in giving back to the community. His story is a gift to that community.

The book also features a detailed discography, compiled by Lalo's son Mark, tracing his recorded output from the days of 78s to his most recent CDs.

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Portraits of Clay

The University of Arizona Press

Not long ago, pottery was a lost art in Chihuahua, Mexico. But in the 1970s, near the ruins of Casas Grandes, an art revolution was born. Inspired by ancient pottery fragments from a tradition that had disappeared before the arrival of the first Europeans, a self-taught woodcutter-turned-artist reinvented an entire ceramic technology. ...

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Basket Weavers for the California Curio Trade

The University of Arizona Press

The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs.

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