Drawing on a unique blend of Indigenous and Western sources, Signs of the Time explores Nlaka’pamux rock art making to reveal the historical and cultural meaning beneath its beguiling imagery.

Rare Merit illuminates the impact of women as portraitists, travel documentarians, photojournalists, fine artists, hobbyists, and printers in the early years of photography in Canada.

Adjusting the Lens explores and celebrates decolonizing strategies and practices that confront the ways the photographic record of Indigenous peoples has been shaped by the colonial imagination.

The first major historical study of the Banff School of Fine Arts, Uplift reveals the foundational role of the school in shaping what is today the globally renowned Banff Centre for Arts and Creativity.

The Bomb in the Wilderness is an acutely perceptive analysis of Canada’s nuclear footprint through the medium of photography, revealing how we have represented, interpreted, and remembered nuclear activities since 1945.

Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.

This fascinating account of Ontario’s 1980s’ censor wars shows that when art intersects with law, artists have the power to transform the law, and the law, in turn, can influence the concept of art.

Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.

Aspiring artist Alan Caswell Collier’s letters, sketches, and paintings recall in vivid detail life in Canada’s relief camps and the crisis of youth unemployment during the Great Depression.

A remarkable volume that makes accessible for the first time and in one place a broad selection of more than 250 years of writing on Northwest Coast Native art.

Milestones on a Golden Road examines works of fiction written in China between 1945 and 1980, when the arts were required to reflect a Maoist vision of history and society.

An investigation into the intersection of Japanese imperialist politics and left-wing, avant-garde arts and culture in 1930s and ’40s Manchukuo.

This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.

This book decodes the rhetoric of China’s turbulent decade, a time of both brutal iconoclasm and radical experimentation in the arts, to offer new insights into works that have transcended their times.

Drawing on a wealth of artistic expression, this book explores how the arts and artists have shaped Canadian national identity.

The essays in this volume reassess Gandharan Buddhism in light of these findings, utilizing a multidisciplinary approach that illuminates the complex historical and cultural dynamics of the region.

An insightful analysis of how art was used to create an independent Canadian national identity, often at the expense of First Nations representation.

Featuring almost 300 illustrations, including 90 colour plates, Unsettling Encounters reconstructs a neglected aspect of Carr’s art and is a fresh assessment of her significance as a leading figure in early 20th-century modernism.

A comprehensive and balanced look at the role of images in Asian religions, which examines aspects of the reception of image worship that have only begun to be studied.

An insightful examination of the complex functions of Northwest Coast art objects produced between 1922 and 1961, and a vital addition to First Nations and Canadian history.