Letters of Emily Carr, Nan Cheney, and Humphrey Toms
This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr written between 1930 to 1945, the most prolific period in Carr's career as both painter and writer.
First Nations Imagery in the Art of Emily Carr
Featuring almost 300 illustrations, including 90 colour plates, Unsettling Encounters reconstructs a neglected aspect of Carr’s art and is a fresh assessment of her significance as a leading figure in early 20th-century modernism.
Archaeology, Art, and Texts
The essays in this volume reassess Gandharan Buddhism in light of these findings, utilizing a multidisciplinary approach that illuminates the complex historical and cultural dynamics of the region.
The Chinese Cultural Revolution, 1966-76
This book decodes the rhetoric of China’s turbulent decade, a time of both brutal iconoclasm and radical experimentation in the arts, to offer new insights into works that have transcended their times.
Whiteness, Indigeneity, and the National Imaginary
This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.
A History of Changing Ideas
A remarkable volume that makes accessible for the first time and in one place a broad selection of more than 250 years of writing on Northwest Coast Native art.
An Artist’s Letters from Depression-Era British Columbia
Aspiring artist Alan Caswell Collier’s letters, sketches, and paintings recall in vivid detail life in Canada’s relief camps and the crisis of youth unemployment during the Great Depression.
How Indigenous People Are Reshaping the Northwest Coast Art Industry
Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.
Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.
Photography and the Nuclear Era in Canada
The Bomb in the Wilderness is an acutely perceptive analysis of Canada’s nuclear footprint through the medium of photography, revealing how we have represented, interpreted, and remembered nuclear activities since 1945.
Visual Culture at the Banff School of Fine Arts
The first major historical study of the Banff School of Fine Arts, Uplift reveals the foundational role of the school in shaping what is today the globally renowned Banff Centre for Arts and Creativity.
Indigenous Activism, Colonial Legacies, and Photographic Heritage
Adjusting the Lens explores and celebrates decolonizing strategies and practices that confront the ways the photographic record of Indigenous peoples has been shaped by the colonial imagination.
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