Anthony Chan repositions his classic account of the arms trade in warlord China within the paradigm of critical militarism and state criminality.

A revisionist history of a unique administrative experiment – the Chinese administration of Manchuria’s Russians in the 1920s – that supports a more nuanced view of Chinese nationalism and China’s relationship with minority cultures.

This book decodes the rhetoric of China’s turbulent decade, a time of both brutal iconoclasm and radical experimentation in the arts, to offer new insights into works that have transcended their times.

The New Silk Road Diplomacy traces how China, faced with internal and external challenges to its authority following the collapse of the Soviet Union, constructed a gradualist approach to Central Asia that prioritized multilateral diplomacy.

Undercurrents engages the critical rubric of “queer” to examine Hong Kong’s screen, uncovering a queer media culture that has been largely overlooked by critics in the West, and demonstrates the cultural vitality of Hong Kong amidst political transition.