Colin Williamson

Thinking in the Dark introduces readers to twenty-one key theorists whose work has made the greatest impact on film scholarship today, including everyone from Sergei Eisenstein to Michel Foucault, from Judith Butler to André Bazin. Each chapter is written by an expert who explains a different theorist’s key ideas, then gives concrete examples of how they might be applied to both a classic film and a contemporary one. Ideal for teachers and students of film as well as contemporary and modern philosophy, critical theory and semotics, also of interest to the general reader exploring such topics.

Thinking in the Dark introduces readers to twenty-one key theorists whose work has made the greatest impact on film scholarship today, including everyone from Sergei Eisenstein to Michel Foucault, from Judith Butler to André Bazin. Each chapter is written by an expert who explains a different theorist’s key ideas, then gives concrete examples of how they might be applied to both a classic film and a contemporary one. Ideal for teachers and students of film as well as contemporary and modern philosophy, critical theory and semotics, also of interest to the general reader exploring such topics.

What does it mean to describe cinematic effects as “movie magic,” or to say that the cinema is all a “trick”? To answer these questions, Colin Williamson situates the cinema within a long tradition of magical practices and devices of wonder that combine art and science, involve deception and discovery, and evoke both awe and curiosity. Hidden in Plain Sight shows how, even as they mystify audiences, cinematic illusions also encourage them to learn more about the technologies and techniques behind moving images.