Joycelyn Moody

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A Nickel and a Prayer

West Virginia University Press

Virtually unknown outside of her adopted hometown of Cleveland, Ohio, Jane Edna Harris Hunter was one of the most influential African American social activists of the early-to mid-twentieth century. In her autobiography A Nickel and a Prayer, Hunter presents an enlightening two-part narrative that recollects her formative years in post-Civil War South and her activist years in Cleveland. First published in 1940, Hunter’s autobiography recalls a childhood filled with the pleasures and pains of family life on the former plantation where her ancestors had toiled, adventures and achievements in schools for African American children, tests and trials during her brief marriage, and recognition and respect while completing nursing training and law school. When sharing the story of her life as an activist, Hunter describes the immense obstacles she overcame while developing an interracial coalition to support the Phillis Wheatley Association and nurturing its growth from a rented home that provided accommodation for twenty-two women to a nine-story building that featured one hundred and thirty-five rooms.   
This new and annotated edition of A Nickel and a Prayer includes the final chapter, “Fireside Musings,” that Hunter added to the second, limited printing of her autobiography and an introduction that lauds her as a multifaceted social activist who not only engaged in racial uplift work, but impacted African American cultural production, increased higher education opportunities for women, and invigorated African American philanthropy. This important text restores Jane Edna Harris Hunter to her rightful place among prominent African American race leaders of the twentieth century.

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Memoirs of Elleanor Eldridge

West Virginia University Press

 Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as alternately defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge’s story, expressing a proto-feminist outrage at the male “extortioners” who caused Eldridge’s loss and distress.

 
With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.
With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century. 

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