A new, vivid account of the final months of the esteemed writer’s life.

The introductory book can be used as a catch-all for nearly everything first-year students may need to learn as they begin academic study.

It is imperative that analyses of popular cultural depictions and presentations of the queer are performed with the extensive intent towards encouraging a politics of inclusion and towards deterring the abjection of the queer subject in popular cultural portrayals.

Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts.

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English.

This volume contains discussions and dissections of monsters across multiple media and geographical origins and the reasons why we are so consumed by them.

Reading Vincent van Gogh is at once an interpretive guide to Van Gogh’s letters and a distillation of the key themes that reoccur throughout his collected letters.

Student edition with an introduction by specialist Sylvia Hunt.

This unforgiving study of scholarly editions of Stoker’s novel shows that the scholarship and the editorial practices are flawed.