In the story of how campus architecture evolved in the nation, and in microcosm at Willamette University speci­fically, we see a rich reflection of our society and of education in general. We see how the building of a campus not only reflects the educational aims and culture of a period, but also impacts the future educational missions of an institution. From the wood-framed Oregon Institute through the creation of the LEED Gold Certi­fied Ford Hall, the captivating details behind the formation of today’s beautiful campus show how intricately the physical plant is intertwined with the work, the institutional mission, the ­finances, and the individuals who shaped the progress of the University.

While there is plenty to satisfy those with an architectural bent, there is much here for the general reader as well. Generations of people come to life, people from whom we are separated not only by time, but by “the times.” And yet, in their humanity and deep commitment, we can catch glimpses of who we are today. Willamette University literally inhabits the visions of those who came before. We also see that in a very real way, the challenges, disappointments, and triumphs of people who no longer walk these grounds are built into the Willamette physical plant. Once one has been through this journey, the reader will never look at the built environment of Willamette, or of any campus, in the same way again.

An urban African American woman rises from secretary to leader in the USDA Forest Service of the twentieth century West. Along the way, she faces personal and agency challenges to become the first black female forest supervisor in the United States.

For 70 years, people have turned to one book to learn about Northwest trees: Trees to Know in Oregon. This new edition, retitled Trees to Know in Oregon and Washington, expands its scope to cover more territory and include more trees.
 
The book was first published in 1950. Charles R. Ross, an Oregon State University Extension forester, wanted to introduce readers to the towering giants in their backyards. Since then, Edward C. Jensen has stewarded the publication through several more editions. This edition features several rare species native to southwest Oregon. It also updates scientific names and adds a new section on how Northwest forests are likely to be affected by changing climates.

Since its initial publication, Trees to Know has become a mainstay for students, gardeners, small woodland owners and visitors to the Pacific Northwest. Along with all the details on native conifers, broadleaves, and more than 50 ornamental trees, readers will find:

• More than 400 full-color photos and 70 maps depicting habitat, range and forest type.
• Easy-to-follow identification keys.
• Handy guides to help distinguish one variety from another.
• The story of Northwest forests — past, present and future.

The story of one woman’s journey into the Selway-Bitterroot Wilderness of Idaho and Montana to investigate the disappearance of her friend and discover the truth about her family.

An examination of select federal and state-level politicians in the Pacific Northwest in the post-World War II era, "Facing the World" contends that individuals, including Henry Jackson, Tom Foley, Mark Hatfield, and Vic Atiyeh, working with local partners, secured the economic expansion of the Pacific Northwest through greater global outreach and embrace of the federal national security doctrine that took hold during the Cold War.

Ada Hastings Hedges was one of Oregon’s foremost poets of the mid-twentieth century. This book brings together her known poems, including a complete annotated reprint of her famous “Desert Poems” of 1930.

During the short span of her career, Hazel Hall became one of the West's outstanding literary figures, a poet whose fierce, crystalline verse was frequently compared with that of Emily Dickinson. Confined to a wheelchair since childhood, Hall's writings convey the dark undertones of the lives of working women in the early twentieth century, while bringing into focus her own private, reclusive life—her limited mobility, her isolation and loneliness, and her gifts with needlework and words.

Explores the natural history of the abalone and its imperiled future, focusing on a mix of issues, from the simple and expected (over-harvesting) to the more complex (fundamental scientific misunderstandings).

A history or Oregon's North Santiam Canyon, from interaction between Native and non-Native peoples and railroad development and land fraud in the nineteenth century, to changing fortunes in the timber industry and questions about economic and environmental sustainability into the twenty-first century.

The H.J. Andrews Experimental Forest is a slice of classic Oregon: due east of Eugene in the Cascade Mountains, it comprises 15,800 acres of the Lookout Creek watershed. The landscape is steep, with hills and deep valleys and cold, fast-running streams. The densely forested landscape includes cedar, hemlock, and moss-draped Douglas fir trees. One of eighty-one USDA experimental forests, the Andrews is administered cooperatively by the US Forest Service, OSU, and the Willamette National Forest. While many Oregonians may think of the Andrews simply as a good place to hike, research on the forest has been internationally acclaimed, has influenced Forest management, and contributed to our understanding of healthy forests.

In A Place for Inquiry, A Place for Wonder, historian William Robbins turns his attention to the long-overlooked Andrews Forest and argues for its importance to environmental science and policy. From its founding in 1948, the experimental forest has been the site of wide-ranging research. Beginning with postwar studies on the conversion of old-growth timber to fast-growing young stands, research at the Andrews shifted in the next few decades to long-term ecosystem investigations that focus on climate, streamflow, water quality, vegetation succession, biogeochemical cycling, and effects of forest management. The Andrews has thus been at the center of a dramatic shift in federal timber practices from industrial, intensive forest management policies to strategies emphasizing biodiversity and healthy ecosystems.

Editors Erika Allen Wolters and Brent Steel have assembled a stellar cast of scholars to consider long-standing issues and topics such as endangered species, land use, and water management while addressing more recent challenges to western public lands like renewable energy siting, fracking, Native American sovereignty, climate change, and land use rebellions.

Clifford Gleason: The Promise of Paint serves as both an introduction and a definitive study of an “artist’s artist,” who until now has not received the sustained attention that he and his work are due. It traces his career from the 1930s until the last months of his difficult life—difficult because of alcoholism, near poverty, and homosexuality in a repressive era. In paint, Gleason found the only realm in which he felt competent, confident, and successful; paint offered the promise of accomplishment. Published in conjunction with an exhibition at the Hallie Ford Museum of Art at Willamette University, this richly illustrated monograph examines Gleason’s identity as a modern artist as he responded to the rapid changes in artistic modernism from the late 1930s, when he studied with Louis Bunce at the Salem Federal Art Center, to the 1970s, when he rethought the legacy of Abstract Expressionism in works that are unique to him, visually beautiful and poetically expressive.