All This Thinking explores the deep friendship and the critical and creative thinking between Bernadette Mayer and Clark Coolidge, focusing on an intense three-year period in their three decades of correspondence.

In "A Serpentine Gesture": John Ashbery’s Poetry and Phenomenology Elisabeth W. Joyce examines John Ashbery’s poetry through the lens of Maurice Merleau-Ponty’s conception of phenomenology.

Horace speaks of poetry delighting and instructing. While Evaluations of US Poetry since 1950, Volume 1 explores the pleasures of poetry—its language, forms, and musicality—volume 2 focuses on the public dimensions.

The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond.

In Modernist Poetry and the Limitations of Materialist Theory, Charles Altieri skillfully dissects the benefits and limitations of Materialist theory for works of art.

Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author.

Circling the Canon, Volume II focuses on the second half of Marjorie Perloff’s prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler’s theory of the lyric and William Empson’s classic Seven Types of Ambiguity.

Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours.

The essays in this collection examine the breadth of Eigner's interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.

The letters collected in this volume are greatly enhanced by Eileen Myles's preface and Stewart's thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded.

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing.

Bruce Andrews and Charles Bernstein’sL=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter’s original issues along with three supplementary issues.

Circling the Canon, Volume II focuses on the second half of Marjorie Perloff’s prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler’s theory of the lyric and William Empson’s classic Seven Types of Ambiguity.

Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours.

The essays in Inciting Poetics provide provocative answers to the book’s opening question, "What are poetics now?"

Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing.

Their intense epistolary relationship between Srinivas Rayaprol and William Carlos Williams, lasting almost a decade and little known up to now, is chronicled in this edition of their letters.

Now in a new edition, this beautiful, interactive collaboration is a unique work of book art in which Marisol’s monumental pop-art sculptures face the blocks of Creeley’s prose poems.

This study examines the theoretical underpinnings of Robert Duncan's poetry and poetics.

Foregrounding Loy’s critical interrogation of Futurist, Dadaist, Surrealist, and "Degenerate" artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy’s importance in an entirely novel way.

These transcribed talks pay tribute to Olson and expand our knowledge of Duncan's vision of modernist writing.

The 130 letters collected in this volume begin in 1947 just after Robert Duncan and Charles Olson first meet in Berkeley, California, and continue to Olson's death in January 1970.

In The Olson Codex, Tedlock describes and examines Olson’s efforts to decipher Mayan hieroglyphics, giving Olson’s work in Mexico the place it deserves within twentieth-century poetry and poetics.

Edited by poet and scholar Ryan Dobran, this volume of correspondence between the American poet Charles Olson (1910-1970) and the English poet J. H. Prynne (b. 1936) sheds light on a little-known but incredibly influential aspect of twentieth-century transatlantic literary culture.

In this book the poets, editors, writers, composers, and teachers who knew the couple consider their encounters and relationships with George and Mary Oppen.