“This is a story central to the origins of country music: the marriage of Saturday night and Sunday morning, and the literal marriage of two musicians, sometimes at odds with each other creatively and personally.” —Rosanne Cash
Anita Faye Garner grew up in the South—just about every corner of it. She and her musical family lived in Texarkana, Bossier City, Hot Springs, Jackson, Vicksburg, Hattiesburg, Pascagoula, Bogalusa, Biloxi, Gulfport, New Orleans, and points between, picking up sticks every time her father, a Pentecostal preacher known as “Brother Ray,” took over a new congregation.
In between jump-starting churches, Brother Ray took his wife and kids out on the gospel revival circuit as the Jones Family Singers. Ray could sing and play, and “Sister Fern” (Mama) was a celebrated singer and songwriter, possessed of both talent and beauty. Rounding out the band were the young Garner (known as Nita Faye then) and her big brother Leslie Ray. At all-day singings and tent revivals across the South, the Joneses made a joyful noise for the faithful and loaded into the car for the next stage of their tour.
But growing up gospel wasn’t always joyous. The kids practically raised and fended for themselves, bonding over a shared dislike of their rootless life and strict religious upbringing. Sister Fern dreamed of crossing over from gospel to popular music and recording a hit record. An unlikely combination of preacher’s wife and glamorous performer, she had the talent and presence to make a splash, and her remarkable voice brought Saturday night rock and roll to Sunday morning music. Always singing, performing, and recording at the margins of commercial success, Sister Fern shared a backing band with Elvis Presley and wrote songs recorded by Johnny Cash and many other artists.
In her touching memoir The Glory Road, Anita Faye Garner re-creates her remarkable upbringing. The story begins with Ray’s attempts to settle down and the family’s inevitable return to the gospel circuit and concludes with Sister Fern’s brushes with stardom and the family’s journey west to California where they finally landed—with some unexpected detours along the way. The Glory Road carries readers back to the 1950s South and the intersections of faith and family at the very roots of American popular music.
For more information about the book and Anita Garner, visit www.thegloryroad.com or www.anitagarner.com
This is a story so central to the origins of country music: the marriage of Saturday night and Sunday morning, and the literal marriage of two musicians, sometimes at odds with each other creatively and personally. The song written by Fern Jones ‘I Was There When It Happened’ was performed around the world by my dad and the Tennessee Three, became the title of the memoir of Marshall Grant (the bass player in the Tennessee Three), and was revived yet again when I performed it every night on a recent tour I did with Ry Cooder. Anita Garner was ‘there when it happened,’ and her book tells us what we ought to know.’
—Rosanne Cash
‘The Glory Road takes us to an important cultural crossroad of America––where gospel met rockabilly, and Saturday night collided with Sunday morning in the late 1950s in the Deep South. It’s also a very personal family story of a deeply religious preacher, Raymond Jones, whose wife, Fern, had a big voice and even bigger musical ambitions. Anita Garner’s recounting of her parents’ lives––their tensions and travails on the ‘gypsy road’ of tent revivals and recording studios––echoes one of her mother’s most famous songs: ‘I Was There When It Happened.’’
—Dayton Duncan, writer/producer of Ken Burns’ Country Music
The Glory Road touches several bases: southern culture, family life, the evangelical ethos, commercial music, migration, and spousal relations. It will appeal to both a general and specialized audience.’
—Michael T. Bertrand, author of Race, Rock, and Elvis
‘I’ll admit I didn’t know the music of Sister Fern and The Joneses until now. So, The Glory Road has introduced me to some exciting and important music. But, even more than that, the story itself will stick with me. I don’t expect to forget these characters.’
—Burgin Mathews, coauthor of Doc: The Story of a Birmingham Jazz Man
Contents
Author’s Note
Chapter 1. Route 66
Chapter 2. California
Gospel Gypsies
Chapter 3. All-Day Singing with Dinner on the Grounds
Chapter 4. The Joneses Sing
Chapter 5. Afterglow
Chapter 6. Little Sinners
Chapter 7. Queen of the Southern Transplants
Chapter 8. Truths and Dubious Wisdom
Chapter 9. Our House
Chapter 10. Sister Fern Won’t Go to Town
Chapter 11. We Got Us a Baby
Chapter 12. Daddy and the Doctor
Chapter 13. The Other Babies
Chapter 14. Raymond’s Doll Baby
Chapter 15. In the Garden
Chapter 16. Hey Good Lookin’
Chapter 17. I Was There When It Happened
Chapter 18. Musical Pie Lady
Chapter 19. His Eye Is on the Sparrow
Chapter 20. Goodbye Again
Chapter 21. Harmony in the Car
Chapter 22. Tents
Chapter 23. Revivals
Chapter 24. Down on the Bayou
Chapter 25. Junior and Them
Chapter 26. Brother Daly’s Gold-Plated Hallelujah
Musical Houses
Chapter 27. Age of Reckoning
Chapter 28. The Pink House
Chapter 29. Prodigal Son
Chapter 30. Johnny Cash Will Make All the Difference
Chapter 31. Saturday Night and Sunday Morning
Chapter 32. Down by the Riverside
Chapter 33. Leaving Louisiana
Chapter 34. California Kids
Chapter 35. Nashville Nights
Chapter 36. Fifties Farewell
Chapter 37. Love Me Tender
Chapter 38. Palm Springs
Chapter 39. This World Is Not My Home
Epilogue
Gospel Gypsies Know
Acknowledgments
Credits