The University of Arizona Press is the premier publisher of academic, regional, and literary works in the state of Arizona. They disseminate ideas and knowledge of lasting value that enrich understanding, inspire curiosity, and enlighten readers. They advance the University of Arizona’s mission by connecting scholarship and creative expression to readers worldwide.
O’odham Lifeways Through Art
O’odham artist Michael Chiago Sr.’s paintings provide a window into the lifeways of the O’odham people. This book offers a rich account of how Tohono O’odham and Akimel O’odham live in the Sonoran Desert now and in the recent past.
This is most comprehensive book yet to describe the minerals known to occur in Arizona. It presents a framework of Arizona’s mineralogy and a set of mineral district maps that can help identify new mineral occurrences. A must-have resource for anyone interested in Arizona minerals, gemstones, fluorescent minerals, and geology.
Revolution, Dictatorship, and Social Movements
LGBTQ Politics in Nicaragua provides the previously untold history of the LGBTQ community’s emergence as political actors—from revolutionary guerillas to civil rights activists.
Campesino Water Defenders and the Anti-Mining Movement in Andean Ecuador
Pachamama Politics examines how campesinos came to defend their community water sources from gold mining upstream and explains why Ecuador’s “pink tide” government came under fire by Indigenous and environmental rights activists.
Remediating Indigenous Orality in the Digital Age
Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages.
Quakers, Native Americans, and Settler Colonialism
Colonialism has the power to corrupt. This important new work argues that even the early Quakers, who had a belief system rooted in social justice, committed structural and cultural violence against their Indigenous neighbors.
Reform and Revival of Diné Textiles
A New Deal for Navajo Weaving provides a history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Diné weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women.
Affirming Indigenous Literary Sovereignty
Postindian Aesthetics is a collection of critical, cutting-edge essays on a new generation of Indigenous writers who are creatively and powerfully contributing to a thriving Indigenous literary canon that is redefining the parameters of Indigenous literary aesthetics.
U.S. Popular Culture on the Page, Stage, and Screen
Latinx Teens examines how Latinx teenagers influence twenty-first-century U.S. popular culture. The book explores the diverse ways that contemporary mainstream film, television, theater, and young adult literature invokes, constructs, and interprets adolescent Latinidad.
In 1981, Chicana feminist intellectuals Cherríe Moraga and Gloria Anzaldúa published what would become a foundational legacy for generations of feminist women of color—the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.
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