The Writer's Portable Mentor
368 pages, 5 3/4 x 8 1/4
Paperback
Release Date:15 Sep 2018
ISBN:9780826360052
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The Writer's Portable Mentor

A Guide to Art, Craft, and the Writing Life, Second Edition

University of New Mexico Press

Designed to mentor writers at all levels, from beginning to quite advanced, The Writer’s Portable Mentor offers a wealth of insight and crafting models from the author’s twenty-plus years of teaching and creative thought. The book provides tools for structuring a book, story, or essay. It trains writers in observation and in developing a poet’s ear for sound in prose. It scrutinizes the sentence strategies of the masters and offers advice on how to publish. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer’s work.

This book is great for aspiring writers, and it is a good introduction to developing style and content that grabs and captures attention from a reading audience. American Reference Books Annual
Wonderful. The Seattle Review of Books
All of Priscilla’s advice is clear and sound. Sheila Bender, Writing It Real
A comprehensive manual covering integral topics. Poets & Writers, "Best Books for Writers"
A treasure trove of information and inspiration. Every writer should own a copy of this book. Lori Ann Bloomfield, author of The Last River Child

Priscilla Long is a writer of poetry, creative nonfiction, science, fiction, and history. She is the author of several books, including Fire and Stone: Where Do We Come From? What Are We? Where Are We Going? and Crossing Over: Poems (UNM Press). She lives in Seattle, Washington.

Preface to the Second Edition

Introduction. A Writer’s Practice

How to Use This Book

Part One. Your Move

Chapter One. Daily Writing

Chapter Two. Working with Language

Gathering Words

Diction Primer

Where to Find Good Words

The Lexicon Practice

Words as Notes

Sound Effects

Repetition

Verb Work

Chapter Three. Writing to See: Training in Observation

Observing the Here and Now

Seeing Colors

Observing Persons

Observing Gesture

Observing Voice

Chapter Four. Object and Setting

Part Two. Getting There: Finding a Structure

Chapter Five. Writing into a Structure

Finding the Right Structure

Inventing a Structure

Structuring a Book

Word Counts

Chapter Six. Theme Structure

"Ben Webster" by Ira Sadoff

"Home" by John Olson

Chapter Seven. Collage Structure

"Babylon" by Eula Biss

"Laughter" by Patrick Madden

Chapter Eight. The A/B or Two-Strand Structure

"The Servant of Two Masters" by Amit Majmudar

"Buzzards" by Lee Zacharias

Chapter Nine. Dramatic Story Structure

"A Dream of Sleep" by Steve Almond

Chapter Ten. How to Open

Part Three. The Art of the Sentence and the Art of the Paragraph

Chapter Eleven. Sentence Craft

Chapter Twelve. Fragments

Chapter Thirteen. The Simple Sentence

Chapter Fourteen. The Compound Sentence

Chapter Fifteen. The Complex (and Compound-Complex) Sentence

Compound-Complex Sentences

Chapter Sixteen. The List Sentence

Chapter Seventeen. The Phrase

The Prepositional Phrase

Chapter Eighteen. Passive Voice

Chapter Nineteen. The Art of the Paragraph

Type 1. The Direct Paragraph

Type 2. The Climactic Paragraph

Type 3. The Turnabout Paragraph

Type 4. The Other One

Chapter Twenty. Transitions

Transition by Repetition

Transition by Synonym or Pronoun

From This Time to the Next Time

From This Place to the Next Place

From Facts to Meaning

Moving with the Mind

From Real to Magic or Mythic Real

And, But, or So at the Beginning

Chapter Twenty-One. Punctuation: Tricks and Ticks of the Masters

Commas and Semicolons in a List

Phrasal Adjectives

Dash and Colon

Interrupters

Part Four. Honing, Deepening, Stretching

Chapter Twenty-Two. Metaphor and Simile

Avoiding Literary Shipwrecks

Definitions and Principles

Forms of Metaphor

Chapter Twenty-Three. Extending Connections, Deepening Insight

Ask Questions

Connect with a Wider World

Reading

Intention

Chapter Twenty-Four. On Revision

Work vs. Talent

Part Five. Getting the Work into the World

Chapter Twenty-Five. Literary vs. Commercial Writing

Chapter Twenty-Six. First Time Out: Writing Buddies and Critique Groups

Writing Buddies

Critique Groups

Presenting and Performing

Chapter Twenty-Seven. Sending Your Work Out

Simultaneous Submissions?

Read the Market

What about Self-Publishing?

"It’s Who You Know"

Chapter Twenty-Eight. The Practice of Productivity

The List of Works

Working and Playing with the Work

Chapter Twenty-Nine. Success

Acknowledgments for the First Edition

Bibliography

Credits

Index

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