Impressions of Paris considers the significant role of three artists in the development of nineteenth-century art in France.

Kirk’s partnership with the Makah tribe in all aspects of work on the site, including this publication, is exemplary and her images are extensive and comprehensive.

Now in full colour to celebrate the 50th anniversary of this classic titles, Northwest Coast Indian Art celebrates the masterworks of Native American artists throughout the region.

This book offers new views on the use and employment of the salted paper print in North America.

Architecturally unique, Kyrgyzstan’s dramatically sited cemeteries reveal the complex nature of the Kyrgyz people’s religious and cultural identities.

By looking at wilderburbs in the West, especially those in Utah, Colorado, and New Mexico, Bramwell uncovers the profound environmental consequences of Americans’ desire to live in the wilderness.

A curated collection of ninety photographs from the more than six hundred portraits she took of Northwest artists, writers, and cultural luminaries, Mary Randlett Portraits documents the region's artistic legacy through one woman's camera lens.

Mary Randlett's photographic vision of the Northwest is big-hearted, intricate, and tender – and fully inhabited by the animals, tides, forests, mountains, and spirits that dwell there – and these magnificent photographs are accompanied by text that sheds light on the artist and her work.

The first new edition of No-No Boy since 1979 presents this important work to another generations of readers.

The only book-length account by a peasant woman of life in post-revolutionary China, very engagingly written with strong text potential.