White Light

The breadth and depth of interdisciplinary experience and influence in Alberto Blanco’s work could make approaching his poetry a daunting proposition. An accomplished artist and musician, trained chemist, and experienced translator, Blanco draws on a wide range of sources among which he rejects rigid boundaries. Ronald Friis provides not only an insightful tracing of influences, themes, and dynamics in Blanco’s poetry but also a well developed and integrated reading of critics and theory to accompany his analysis. The result is an intelligent, insightful, and accessible consideration of the work of one of Mexico’s most accomplished contemporary intellectuals, artists, and poets. Cecelia J. Cavanaugh, author of Lorca's Drawings and Poems: Forming the Eye of the Reader

A thoughtfully organized, deep engagement that illuminates and contextualizes correspondences among Blanco’s works, as well as with his impressive constellation of literary, musical, artistic, scientific, and philosophical interlocutors, White Light serves in part as an introduction to Blanco’s decades-spanning oeuvre and as a compendium of references to secondary sources.'  Bruce Willis, author of Corporeality in Early Twentieth-Century Latin American Literature: Body Articulations

The breadth and depth of interdisciplinary experience and influence in Alberto Blanco’s work could make approaching his poetry a daunting proposition. An accomplished artist and musician, trained chemist, and experienced translator, Blanco draws on a wide range of sources among which he rejects rigid boundaries. Ronald Friis provides not only an insightful tracing of influences, themes, and dynamics in Blanco’s poetry but also a well developed and integrated reading of critics and theory to accompany his analysis. The result is an intelligent, insightful, and accessible consideration of the work of one of Mexico’s most accomplished contemporary intellectuals, artists, and poets. Cecelia J. Cavanaugh, author of Lorca's Drawings and Poems: Forming the Eye of the Reader

A thoughtfully organized, deep engagement that illuminates and contextualizes correspondences among Blanco’s works, as well as with his impressive constellation of literary, musical, artistic, scientific, and philosophical interlocutors, White Light serves in part as an introduction to Blanco’s decades-spanning oeuvre and as a compendium of references to secondary sources.'  Bruce Willis, author of Corporeality in Early Twentieth-Century Latin American Literature: Body Articulations