One of the four “masters” of Korean cinema, Yu Hyun-mok played a crucial role in creating a new history of “postwar” cinema free from the generation influenced by Japanese colonial rule. As a filmmaker who believed that the keys to film art are montage and camerawork, he produced notable films in four different decades. In keeping with the previous editions in the series, this edition also contains comprehensive analysis of the director, interviews, and biographical information from renowned film critic Kim Kyoung-wook.
