In Glory, Judas Iscariot finally tells his side of the story. From his perspective, Jesus is the betrayer, while Judas himself brought humanity a chance at redemption. Through Judas’s searing tortured monologues, this late masterpiece from one of Italy’s greatest writers investigates deep questions about the nature of faith, rebellion, fate, and free will.
 

In this groundbreaking ethnographic study of the transnational Third Temple and Children of Noah movements, Messianic Zionism in the Digital Age highlights the intimate effects of political theologies in motion, new forms of digital missionizing, and the birth of a new Judaic faith. 
 

Making History Move builds upon decades of scholarship investigating history in visual culture, proposing a methodology of five principles to analyze history in moving images in the digital age, charting a path to understand the form of history with the most significant impact on public perceptions of the past.

This book presents an 80-year history of how the comics industry has drawn inspiration from biblical imagery, stories, and themes. Charting how comics have both reflected and influenced Americans’ changing attitudes towards religion, it includes underground comix, books from Christian publishers, and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher.   

Pioneering the field of Springsteen scholarship when it first appeared in 1997, Born in the U.S.A. remains one of the definitive studies of Springsteen’s work and its impact on American culture. This fully revised third edition addresses Springsteen’s evolving attitudes toward politics, religion, masculinity, and racial justice in the 21st century. 

Queer Newark charts an alternate history of LGBTQ life in America where working-class people of color are the central actors. Uncovering the sites and people of Newark’s queer past in bars, discos, ballrooms, and churches, these essays reveal how violence, poverty, and homophobia could never suppress joy, resistance, love, and desire.

Queer Newark charts an alternate history of LGBTQ life in America where working-class people of color are the central actors. Uncovering the sites and people of Newark’s queer past in bars, discos, ballrooms, and churches, these essays reveal how violence, poverty, and homophobia could never suppress joy, resistance, love, and desire.

The Korean materials in the Griffis Collection at Rutgers University consist of journals, correspondence, articles, maps, prints, photos, postcards, manuscripts, scrapbooks, and ephemera. These papers reflect Griffis's interests and activities in relation to Korea as a historian, scholar, and theologian. They provide a rare window into the turbulent period of late 19th and 20th century Korea, witnessed and evaluated by Griffis and early American missionaries in East Asia. The Korea Letters in the William Elliot Griffis Collection are divided into two parts: letters from missionaries and letters from Japanese and Korean political figures. Newly available and accessible through this collection, these letters develop a multifaceted history of early American missionaries in Korea, the Korean independence movement, and Griffis's views on Korean culture. 

Destroy Them Gradually reframes forced displacement as an annihilatory process, rather than as an event that precedes an atrocity. Displacement crimes are defined as the unique fusion of forced displacement with systemic deprivations of vital daily needs to destroy populations.