Showing 21-27 of 27 items.

Cyberwars in the Middle East

Rutgers University Press

Cyberwars in the Middle East argues that offline political tensions in the Middle East that are sometimes sectarian and regional in nature play a vital role in enhancing the cyber operations and hacking attempts that frequently occur. These cyber operations are often used for espionage and/or undermining the authority and credibility of governments, changing their policies, or causing economic damage. Author Ahmed Al-Rawi explores different types of cyber operations and many hacktivists and hacking groups that are active in the region. He looks at how they are connected to globalization and how some are linked to or clash with global hacktivist groups.

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The American Girl Goes to War

Women and National Identity in U.S. Silent Film

Rutgers University Press

The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women’s changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
 

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War without Bodies

Framing Death from the Crimean to the Iraq War

Rutgers University Press

Thanks to the invention of photography and the telegraph descriptions and images of war have proliferated from the nineteenth century onward, yet wars continue to be fought. The way descriptions of war are framed blunts the impact of images of death and makes war an acceptable option by representing it as “war without bodies” therefore without casualties. Beginning with Crimean War, War Without Bodies traces the ways that death was framed in poetry, photography, video and video games up to and including the Iraq War.

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German Ways of War

The Affective Geographies and Generic Transformations of German War Films

Rutgers University Press

German Ways of War explores the production of novel spaces and evocation of new affects in the war-film genre between the 1910s and 2000s. Beyond the conventional pairing of visuality and violence, war films combine mobility, landscape, territory, scales, and topological networks into “affective geographies” that interweave narratively-generated affect, space, and political processes.
 

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In the Crossfire of History

Women's War Resistance Discourse in the Global South

Rutgers University Press

This book incorporates literary works, testimonies, autobiographies, women’s resistance movements, and films that add to the conversation on the resilience of women in the global south. The essays question historical accuracy and politics of representation that usually undermine women’s role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that work on obliterating women’s role in shaping resistance movements.
 

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In the Crossfire of History

Women's War Resistance Discourse in the Global South

Rutgers University Press

This book incorporates literary works, testimonies, autobiographies, women’s resistance movements, and films that add to the conversation on the resilience of women in the global south. The essays question historical accuracy and politics of representation that usually undermine women’s role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that work on obliterating women’s role in shaping resistance movements.
 

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Unguarded Border

American Émigrés in Canada during the Vietnam War

Rutgers University Press

Unguarded Border tells the stories of the 50,000 Americans who fled across the border to Canada in the 1960s and 1970s, a migrant experience that does not fit the usual paradigms. Historian Donald W. Maxwell explores how these Americans in exile forged cosmopolitan identities, permanently changing perceptions of military service, nation, and citizenship. 

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