Scott explores the history of Nightwood Theatre, the longest-running and most influential women's theatre company in Canada, a provider of opportunities for women theatre artists.

The contributors to this third volume of How Canadians Communicate focus on the question “what does Canadian popular culture have to say about the construction and negotiation of Canadian national identity?” and show how popular culture is negotiated across the different terrains where a sense of national identity is built.

Dreamwork is a poetic exploration of the then and there, here and now, of landscapes and inscapes over time.

This collection informs science educators about current practices in online and distance education: distance-delivered methods for laboratory coursework, the requisite administrative and institutional aspects of online and distance teaching, as well as the relevant educational theory.

A unique contribution to the field of online learning, this designer’s log documents the emergence of an adapted instructional design model for transforming courses from single-mode to dual-mode instruction.

This book explores a relatively small, but interesting and anomalous, region of Alberta between the North Saskatchewan and the Battle Rivers.

Perry’s weaving of interviewee’s stories and her own field notes and poetry creates a very personal perspective on nursing that leaves the reader with a greater understanding of the experience, and rewards, of caring for others.

By examining major events that have tested bilateral relations, Bomb Canada tracks the history of anti-Canadianism in the U.S.