Artificial Generation

From a 'photogenic literary imperative' in 19th century literature through early cinema to Hitchcock’s Vertigo and on to contemporary cinematic fantasies of replication as translated in Blade Runner: 2049’s stunning digital effects, this thoroughly engrossing book demonstrates the persistence and the force of the artificial woman, and the male fantasies of reproductive power it grounds, across a formidable array of texts—from literature to photography to film—in an intermedial history of aesthetic 'generation.' Sharon Willis, author of High Contrast: Race and Gender in Popular Film

From a 'photogenic literary imperative' in 19th century literature through early cinema to Hitchcock’s Vertigo and on to contemporary cinematic fantasies of replication as translated in Blade Runner: 2049’s stunning digital effects, this thoroughly engrossing book demonstrates the persistence and the force of the artificial woman, and the male fantasies of reproductive power it grounds, across a formidable array of texts—from literature to photography to film—in an intermedial history of aesthetic 'generation.' Sharon Willis, author of High Contrast: Race and Gender in Popular Film

In Artificial Generation Christina Parker-Flynn skillfully explores the obsession with the artificial woman in nineteenth-century literature and early film. In close dialogue with film theory, she shows how the literary interest in female automatons, statues, and mummies in works by Gautier, Villiers de L'Isle-Adam, and Wilde is replicated and reinterpreted in early cinema. With its cross-aesthetic perspective, Parker Flynn’s discussion advances our understanding of how various art forms grappled with questions regarding life, animation and generation. Artificial Generation uncovers a rich aesthetic tradition and deftly demonstrates its relevance for contemporary culture.'
  Marit Grøtta, author of Baudelaire's Media Aesthetics