Branding Brazil

Branding Brazil is a clear-eyed and systematic evaluation of the power of publicity in the modern era. Marsh examines diverse representations of Brazil in international cinema, television, and photography as well as in built environments, cultural policies and practices of citizenship, showing us the conflicts and contradictions that emerge when national territories are produced as sites of global consumption. Combining a strong theoretical imagination with trenchant industrial and textual analyses, Marsh exposes how plans to 'build a better Brazil' are made meaningful in cultural and economic spheres —with lasting consequences for ideals of diversity, equality, and belonging.'
  Melissa Aronczyk, author of Branding the Nation: The Global Business of National Identity

Branding Brazil is an exceptionally thoughtful and well-developed exploration of how nation branding through film and television takes place both within a nation and, though much of the same content, beyond it. Leslie Marsh's knowledge of Brazil really stands out as she does both close reading of texts and exploration of the changing politics and cultural dynamics of the country.'

  Joseph Straubhaar, co-author of Latin American Television Industries

This is an audacious book that makes an indispensable contribution to our understanding of one of the most contradictory periods in contemporary Brazilian history. Leslie Marsh uses branding to discuss the construction of a 'new' Brazil through the discursive practices of film, photography, and television to elucidate how they were shaped by utopian impulses and challenged, but also often upheld, the inequities of capitalism.'
  Ana M. López, co-editor of The Routledge Companion to Latin American Cinema

Branding Brazil is relevant and timely in its importance to understanding narratives and cultural policies that sought to redefine Brazil’s identity between 2003 and 2014. Using race and gender as its starting point, it explores some of the tensions and contradictions that were part of a nation branding project. The chapters trace economic shifts that go from an increase in the number individuals who entered the middle class in the beginning of the 2000s to a movement of disillusionment when, due to the economic crisis, large numbers of people were forced to live in extreme poverty. Based on a broadly array of cultural artifacts, including films, music, and TV programs, Marsh illustrates how racial and gender inequalities, notions of white supremacy and the myth of racial democracy still play out in everyday life in Brazil. The book is an important addition to the field of Lusophone studies, contributing to key contemporary discussions on issues of social justice in present-day Brazil.'
  Katia C. Bezerra, author of Contested Images: Conflicted Geographies of Citizenship in Favelas

Branding Brazil takes a multimedia approach to understand the intertwining between citizenship and neoliberalism, and the social uses of cinema, photography and television in the construction of communicative strategies and nation-branding. In this endeavor, Leslie Marsh offers us an original blueprint to read media across Latin America, while illuminating the cultural complexities of Brazil’s tumultuous present.'
  Ignacio M. Sánchez Prado, author of Screening Neoliberalism: Transforming Mexican Cinema (1988-2012)

As it assesses strategies of branding during a particularly effervescent moment in Brazilian history, this book articulates the role of media in shaping national identity and citizenship ostensibly defined by the postnational. Hoor Elshafei, Film Quarterly

Branding Brazil is a clear-eyed and systematic evaluation of the power of publicity in the modern era. Marsh examines diverse representations of Brazil in international cinema, television, and photography as well as in built environments, cultural policies and practices of citizenship, showing us the conflicts and contradictions that emerge when national territories are produced as sites of global consumption. Combining a strong theoretical imagination with trenchant industrial and textual analyses, Marsh exposes how plans to 'build a better Brazil' are made meaningful in cultural and economic spheres —with lasting consequences for ideals of diversity, equality, and belonging.'
  Melissa Aronczyk, author of Branding the Nation: The Global Business of National Identity

Branding Brazil is an exceptionally thoughtful and well-developed exploration of how nation branding through film and television takes place both within a nation and, though much of the same content, beyond it. Leslie Marsh's knowledge of Brazil really stands out as she does both close reading of texts and exploration of the changing politics and cultural dynamics of the country.'

  Joseph Straubhaar, co-author of Latin American Television Industries

This is an audacious book that makes an indispensable contribution to our understanding of one of the most contradictory periods in contemporary Brazilian history. Leslie Marsh uses branding to discuss the construction of a 'new' Brazil through the discursive practices of film, photography, and television to elucidate how they were shaped by utopian impulses and challenged, but also often upheld, the inequities of capitalism.'
  Ana M. López, co-editor of The Routledge Companion to Latin American Cinema

Branding Brazil is relevant and timely in its importance to understanding narratives and cultural policies that sought to redefine Brazil’s identity between 2003 and 2014. Using race and gender as its starting point, it explores some of the tensions and contradictions that were part of a nation branding project. The chapters trace economic shifts that go from an increase in the number individuals who entered the middle class in the beginning of the 2000s to a movement of disillusionment when, due to the economic crisis, large numbers of people were forced to live in extreme poverty. Based on a broadly array of cultural artifacts, including films, music, and TV programs, Marsh illustrates how racial and gender inequalities, notions of white supremacy and the myth of racial democracy still play out in everyday life in Brazil. The book is an important addition to the field of Lusophone studies, contributing to key contemporary discussions on issues of social justice in present-day Brazil.'
  Katia C. Bezerra, author of Contested Images: Conflicted Geographies of Citizenship in Favelas

Branding Brazil takes a multimedia approach to understand the intertwining between citizenship and neoliberalism, and the social uses of cinema, photography and television in the construction of communicative strategies and nation-branding. In this endeavor, Leslie Marsh offers us an original blueprint to read media across Latin America, while illuminating the cultural complexities of Brazil’s tumultuous present.'
  Ignacio M. Sánchez Prado, author of Screening Neoliberalism: Transforming Mexican Cinema (1988-2012)

As it assesses strategies of branding during a particularly effervescent moment in Brazilian history, this book articulates the role of media in shaping national identity and citizenship ostensibly defined by the postnational. Hoor Elshafei, Film Quarterly