The Theatre of Regret reveals the role that Indigenous and allied literatures play in challenging state-centred discourses of reconciliation in Canada.

Focusing on the 1990s, when debates over voice and representation were particularly explosive, McCall investigates a wide range of “told-to” narratives that have shaped the struggle for Aboriginal rights in Canada, and asks what is at stake in crafting a politics and ethics of collaboration.

Drawing on a wealth of artistic expression, this book explores how the arts and artists have shaped Canadian national identity.

The fullest biography of the Ethel Wilson to date.