The Theatre of Regret reveals the role that Indigenous and allied literatures play in challenging state-centred discourses of reconciliation in Canada.

Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts.

The self and the other in the works of Canadian contemporary artists.

Focusing on the 1990s, when debates over voice and representation were particularly explosive, McCall investigates a wide range of “told-to” narratives that have shaped the struggle for Aboriginal rights in Canada, and asks what is at stake in crafting a politics and ethics of collaboration.

Drawing on a wealth of artistic expression, this book explores how the arts and artists have shaped Canadian national identity.

As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right.

In Northern Love, Paul Nonnekes pursues debates in psychoanalysis and cultural theory in pursuit of a distinctive conception of a Canadian masculinity.

The fullest biography of the Ethel Wilson to date.