Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists whose work engages with and critiques the role of media in contemporary society.

In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Here, Useche offers fresh readings of canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors.

1650–1850 combines fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy. Volume 27 expands around a landmark special feature on worlds and worldmaking—on the imagining of new, exotic, unexplored, ideal, and utopian worlds ranging from south sea islands to polar utopias to zones of intercultural encounter to the conjectural territories of interpretive cartography. Enlivening the volume is a cavalcade of full-length book reviews.

This collection of essays commenting on the themes of The Life and Strange Surprizing Adventures of Robinson Crusoe and The Farther Adventures of Robinson Crusoe is invaluable for understanding Defoe’s attitudes toward these particular works and toward his fiction in general.

A three-volume set of the definitive Stoke Newington Editions of Robinson Crusoe. The novels and essays with introductions, line notes, and full bibliographical notes. Includes: The Life and Strange Surprizing Adventures of Robinson Crusoe,The Farther Adventures of Robinson Crusoe, and Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World.
   

This groundbreaking study examines how modern Colombian literature—from Gabriel García Márquez to Juan Gabriel Vásquez—reflects one of the world’s most tumultuous entrances into globalization. While these literary icons, one canonical, the other emergent, bookend Colombia’s fall and rise on the world stage, the period between the two was inordinately violent, spanning the Colombian urban novel’s evolution into narco-literature.

Gathering essays by some of the most distinguished scholars in eighteenth-century studies, A Clubbable Man takes as its theme textual and social group formations, while simultaneously honoring the achievements of Greg Clingham. Rounding out the collection are tributes from former students and colleagues, including original poetry.
 

Deep Mapping the Literary Lake District pioneers, implements, and critiques a new approach to literary analysis in the digital age. Focusing on a corpus of writing about the English Lake District from 1622-1900, this study exemplifies how geospatial tools can enhance our appreciation of the literary geographies that condition the way we perceive and respond to landscapes.

The Limits of Familiarity analyzes the intensely personal feelings that Romantic-era readers came to have for authors. Contributing to reception studies, celebrity studies, and literary history, this book reveals how anxieties about the cultural value of familiarity shaped both Romanticism and conceptions of authorship.

Drawing on sixteenth- and seventeenth-century religious, political, and literary texts, including the works of Cervantes, Dystopias of Infamy reconsiders how insults and infamy were imagined as potential sites of resistance to subjectification in early modern Spain.

By examining four sentimental travelogues written by British women travelers during the American and French Revolutions, Political Affairs of the Heart argues that this genre, by combining eyewitness authority with the language of sensibility, constitutes a significant site of women’s engagement in national and gender politics.

Around 1800, German Romantics fixated on Dante’s Divine Comedy as a model for the creation of a new mythology of reason. This book traces that fixation across Romantic and Neo-Romantic texts, showing how the Romantic Dante cult in fact generated ominous amalgams of art, myth, and fascism in the twentieth century.