Rewriting Crusoe

Rewriting Crusoe: The Robinsonade across Languages, Cultures, and Media assembles an international group of scholars who present exciting new approaches to the cultural afterlives of Daniel Defoe’s 1719 novel. Robinson Crusoe is one of the most successful books of all time, ubiquitous first in Europe and then around the world. Novel historians credit it with transforming prose fiction with psychological realism. It has been translated into dozens of languages and it has directly and indirectly inspired a plenitude of adaptations and appropriations in that time. The essays in Rewriting Crusoe follow the Robinsonades themselves across genres and media—fiction, film, plays, and TV—and they respond to a range of works, from immediate, direct responses in Britain to more distant and looser echoes across the globe. What is original and distinctive about the volume is its demonstration of how Robinsonades not only challenge key aspects of the archetypal castaway narrative—masculine individualism, literary realism, and ecological and colonial domination—but that these ideologies have always been in a process of contestation. Together the essays illuminate what editor Jakub Lipski calls 'the potential of the Robinsonade to adapt to changing circumstances, in terms of content and genre, and … its continuous relevance in new contexts.' The book provides a model for the potential of collaborative approaches to diffuse literary afterlives, and it is essential reading for those interested in the impact of eighteenth-century ideas through the ages. Nicholas Seager, Co-editor of The Afterlives of Eighteenth-Century Fiction

Rewriting Crusoe offers invigorating re-examinations of a timeless and timely genre.  The broad scope of texts examined and the international profile of its authors makes this book an important contribution to studies of the Robinsonade and testament that this genre still holds power. Rebecca Weaver-Hightower, author of Empire Islands: Castaways, Cannibals, and Fantasies of Conquest in Post/Colonial Island N

Rewriting Crusoe collects a wide range of international scholars to look at the Robinsonade tradition in various media across three centuries. The collection exhibits the range of responses to Robinson Crusoe and considers how they reflect various cultural and literary concerns. Leah Orr, author of Novel Ventures: Fiction and Print Culture in England, 1690-1730

An impressively ambitious and comprehensive collection of essays on Robinsonades. John Richetti, editor of the Cambridge Companion to Robinson Crusoe

An impressively ambitious and comprehensive collection of essays on Robinsonades. John Richetti, editor of the Cambridge Companion to Robinson Crusoe

Rewriting Crusoe collects a wide range of international scholars to look at the Robinsonade tradition in various media across three centuries. The collection exhibits the range of responses to Robinson Crusoe and considers how they reflect various cultural and literary concerns. Leah Orr, author of Novel Ventures: Fiction and Print Culture in England, 1690-1730

Rewriting Crusoe offers invigorating re-examinations of a timeless and timely genre.  The broad scope of texts examined and the international profile of its authors makes this book an important contribution to studies of the Robinsonade and testament that this genre still holds power. Rebecca Weaver-Hightower, author of Empire Islands: Castaways, Cannibals, and Fantasies of Conquest in Post/Colonial Island N

Rewriting Crusoe: The Robinsonade across Languages, Cultures, and Media assembles an international group of scholars who present exciting new approaches to the cultural afterlives of Daniel Defoe’s 1719 novel. Robinson Crusoe is one of the most successful books of all time, ubiquitous first in Europe and then around the world. Novel historians credit it with transforming prose fiction with psychological realism. It has been translated into dozens of languages and it has directly and indirectly inspired a plenitude of adaptations and appropriations in that time. The essays in Rewriting Crusoe follow the Robinsonades themselves across genres and media—fiction, film, plays, and TV—and they respond to a range of works, from immediate, direct responses in Britain to more distant and looser echoes across the globe. What is original and distinctive about the volume is its demonstration of how Robinsonades not only challenge key aspects of the archetypal castaway narrative—masculine individualism, literary realism, and ecological and colonial domination—but that these ideologies have always been in a process of contestation. Together the essays illuminate what editor Jakub Lipski calls 'the potential of the Robinsonade to adapt to changing circumstances, in terms of content and genre, and … its continuous relevance in new contexts.' The book provides a model for the potential of collaborative approaches to diffuse literary afterlives, and it is essential reading for those interested in the impact of eighteenth-century ideas through the ages. Nicholas Seager, Co-editor of The Afterlives of Eighteenth-Century Fiction