Theatre History Studies 2016, Vol. 35
Edited by Sara Freeman; Introduction by Sara Freeman
SERIES:
Theatre History Studies
University of Alabama Press
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of “Rethinking the Maternal” in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay “Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway’s Native Guard,” a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note.
Theatre History Studies, published since 1981 by the Mid-American Theatre Conference (MATC) is a leading scholarly publication in the field of theatrical history and theory. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
Theatre History Studies, published since 1981 by the Mid-American Theatre Conference (MATC) is a leading scholarly publication in the field of theatrical history and theory. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
Praise for Theatre History Studies
‘This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated. . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.’
—CHOICE
International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . An excellent addition for academic, university, and large public libraries.’
—Magazines for Libraries, 6th edition
Sara Freeman is an associate professor of theatre at the University of Puget Sound. Freeman is a coediter of International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker and recently staged Spring Awakening, the musical.
Related Titles
Theatre History Studies 2014, Vol. 33
Theatres of War
Edited by Elizabeth Reitz Mullenix; Introduction by Elizabeth Reitz Mullenix
