Women in Independent Publishing
336 pages, 6 x 9
25 halftones
Paperback
Release Date:15 Dec 2024
ISBN:9780826367075
Hardcover
Release Date:15 Dec 2024
ISBN:9780826367068
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Women in Independent Publishing

A History of Unsung Innovators, 1953-1989

University of New Mexico Press

Women in Independent Publishing is a collection of interviews with and resources about women actively engaged in small-press publishing between the 1950s and the 1980s. The interviewees include Hettie Jones, Margaret Randall, Bernadette Mayer, and many others.

The scope and range of the interviews showcase a variety of types of publishing possible within the small press community. These interviews illuminate the unifying and diverging elements between multiple publishing “scenes” and reveal their particularities and commonalities. Women in Independent Publishing is a timely and urgent documentation of literary history and reveals and celebrates the multifaceted roles of women editors and publishers and the communities they built.

The book includes a critical introduction, an afterword by contemporary small-press publisher M. C. Hyland and a robust resources section that provides further paths for reading and literary recovery.

“This long-overdue tribute to women publishers and editors in the small and independent press world is chock full of fascinating interviews and resource information. While creating ‘presses of their own,’ these women had a profound influence on the poetry, literature, and politics of the last half of the twentieth century. Women in Independent Publishing is a must-read for book lovers everywhere.”—David Unowsky, founder of The Hungry Mind Review “This long-overdue tribute to women publishers and editors in the small and independent press world is chock full of fascinating interviews and resource information. While creating ‘presses of their own,’ these women had a profound influence on the poetry, literature, and politics of the last
“Book artists will find in this work fascinating details about the publishing process, but every reader will be moved by the personal energy that drove these women to become publishers and the powerful network of friends and community that they helped to create.”—Terence Diggory, author of Encyclopedia of New York School Poets “Book artists will find in this work fascinating details about the publishing process, but every reader will be moved by the personal energy that drove these women to become publishers and the powerful network of friends and community that they helped to create.”—Terence Diggory, author of 
“Too much of our literary history has been lost or forgotten. This fantastic collection of interviews documents many of the important contributions by women writers, editors, and literary activists whose work changed our culture in so many ways. These singular stories, woven together, create a tapestry of memory and work, words that continue to sing to us, past, present, and future.”—David Wilk, publisher “Too much of our literary history has been lost or forgotten. This fantastic collection of interviews documents many of the important contributions by women writers, editors, and literary activists whose work changed our culture in so many ways. These singular stories, woven together, create a tap
“Lively discussions illuminate the personal histories and challenges of a vibrant era where women editors, graphic designers, and publishers working individually and with partners faced considerable hardships and challenges that entrepreneurial women often face. Before desktop publishing, grass roots publishers often worked at home on mimeograph machines to create magazines, journals, and books that celebrate a wealth of early literary, feminist, indigenous, and women of color writers and illustrators which laid the groundwork for contemporary BIPOC LGBTQ+ writers, audiences, and publishers to come.”—Marilyn Stablein, author of Houseboat on the Ganges and a Room in Kathmandu “Lively discussions illuminate the personal histories and challenges of a vibrant era where women editors, graphic designers, and publishers working individually and with partners faced considerable hardships and challenges that entrepreneurial women often face. Before desktop publishing, grass ro

Acknowledgements

A Note on Interview Format and Transcription

Introduction. “It’s Only Vanity if It’s Not Good”: Daisy Aldan and Women Midcentury Small Press Publishers

The Interviews

Hettie Jones on Yugen

Rosmarie Waldrop on Burning Deck and Burning Deck Press

Margaret Randall on El Corno Emplumado / The Plumed Horn

Lindy Hough on Io and North Atlantic Books, Interviewed by Zainab Farooqui and Tess Redman

Bernadette Mayer on 0 TO 9, United Artists, andUnited Artists Books

Susan Sherman on IKON

Maureen Owen on Telephone and Telephone Books

Renee Tajima-Peña on Bridge

Maxine Chernoff on Oink! And New American Writing

Alice Notley on CHICAGO

Jaime Robles on Five Trees Press

Barbara Barg and Rose Lesniak on Out There, Power Mad Press, and Out There Productions

Rena Rosenwasser and Patricia Dienstfrey on Kelsey Street Press

Patricia Spears Jones on W. B., Ordinary Women, and the Heresies Collective

Martha King on Two and Two Chapbooks and Giants Play Well in the Drizzle

C. D. Wright on Lost Roads Press

Eileen Myles on dodgems

Deborah Costello and Lisa Kellman on Black Oyster Press

Barbara Smith on Kitchen Table: Women of Color Press

Joanne Kyger on Bolinas Hearsay News

Lisbet Tellefsen on Aché: A Journal for Black Lesbians

Lee Ann Brown on Tender Buttons Press

Afterword

MC Hyland

Resources

Additional Selected Women Editors and Publishers

List of Selected Small Presses and Publications with Women and Non-Binary Editors and Publishers, 1950s–80s

Notes

Bibliography

List of Contributors

Index

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