The leading feminist intellectual of her day, Margaret Fuller has been remembered for her groundbreaking work, Woman in the Nineteenth Century, which recharted the gender roles of nineteenth-century men and women. In this new collection, the full range of her literary career is represented from her earliest poetry to her final dispatch from revolutionary Italy. For the first time, the complete texts of Woman in the Nineteenth Century and Summer on the Lakes are printed together, along with generous selections from Fuller's Dial essays, New York essays, Italian dispatches, and unpublished journals.

This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published.

Sylvia Yule, the heroine of Moods, is a passionate tomboy who yearns for adventure.  The novel opens as she embarks on a river camping trip with her brother and his two friends, both of whom fall in love with her. These rival suitors, close friends, are modeled on Ralph Waldo Emerson and Henry Daniel Thoreau. Aroused, but still "moody" and inexperienced, Sylvia marries the wrong man. In the rest of the novel, Alcott attempts to resolve the dilemma she has created and leave her readers asking whether, in fact, there is a place for a woman such as Sylvia in a man's world.  

Set in the frontier of Michigan int he 1830s, A New Home is the first realistic portrayal of western village life in the United States. Based on Caroline Kirkland's own experiences - and written from a woman's perspective - it narrates with a keen eye and wit the absorbing story of the establishment of the village of Montacute, Michigan.

The Lamplighter was the first novel by twenty-seven-year-old Maria Susanna Cummins. It propelled her into a prominence that continued until her early death at the age of thirty-nine. A novel of female development, The Lamplighter is a woman's version of the quest story. Its heroine, Gerty, comes on the scene as a child abandoned in the slums of Boston. Rescued by the kindly lamplighter Trueman Flint, she learns to meet life with courage and honesty. The novel touched the hearts, validated the ideals, and assuaged the anxieties of a huge readership, and it remained continuously in print until the 1920s.

E.D.E.N. Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions.  There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

The discovery in recent years of Louisa May Alcott's pseudonymous sensation stories has made readers and scholars increasingly aware of her accomplishments beyond her most famous novel, Little Women, one of the great international best-sellers of all time. This anthology brings together for the first time a variety of Louisa May Alcott's journalistic, satiric, feminist, and sensation texts. Elaine Showalter has provided an excellent introduction and notes to the collection.

Hope Leslie (1827), set in the seventeenth-century New England, is a novel that forced readers to confront the consequences of the Puritans’ subjugation and displacement of the indigenous Indian population at a time when contemporaries were demanding still more land from the Cherokees, the Chickasaws, and the Choctaws.

Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land."