This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.

An investigation into the intersection of Japanese imperialist politics and left-wing, avant-garde arts and culture in 1930s and ’40s Manchukuo.

Milestones on a Golden Road examines works of fiction written in China between 1945 and 1980, when the arts were required to reflect a Maoist vision of history and society.

As the first literary critical study of Vincent van Gogh’s letters, The Letters of Vincent van Gogh presents the painter’s letters as purposeful imaginative creations that chart van Gogh’s evolving conception of himself as an artist.

A remarkable volume that makes accessible for the first time and in one place a broad selection of more than 250 years of writing on Northwest Coast Native art.

An inspiring book that argues for Van Gogh’s letters to be placed alongside the literary work of Blake and Eliot.

Reading Vincent van Gogh is at once an interpretive guide to Van Gogh’s letters and a distillation of the key themes that reoccur throughout his collected letters.

Aspiring artist Alan Caswell Collier’s letters, sketches, and paintings recall in vivid detail life in Canada’s relief camps and the crisis of youth unemployment during the Great Depression.

Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.

This fascinating account of Ontario’s 1980s’ censor wars shows that when art intersects with law, artists have the power to transform the law, and the law, in turn, can influence the concept of art.