Indigenous Activism, Colonial Legacies, and Photographic Heritage
Adjusting the Lens explores and celebrates decolonizing strategies and practices that confront the ways the photographic record of Indigenous peoples has been shaped by the colonial imagination.
Visual Culture at the Banff School of Fine Arts
The first major historical study of the Banff School of Fine Arts, Uplift reveals the foundational role of the school in shaping what is today the globally renowned Banff Centre for Arts and Creativity.
Photography and the Nuclear Era in Canada
The Bomb in the Wilderness is an acutely perceptive analysis of Canada’s nuclear footprint through the medium of photography, revealing how we have represented, interpreted, and remembered nuclear activities since 1945.
Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.
How Indigenous People Are Reshaping the Northwest Coast Art Industry
Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.
An Artist’s Letters from Depression-Era British Columbia
Aspiring artist Alan Caswell Collier’s letters, sketches, and paintings recall in vivid detail life in Canada’s relief camps and the crisis of youth unemployment during the Great Depression.
A History of Changing Ideas
A remarkable volume that makes accessible for the first time and in one place a broad selection of more than 250 years of writing on Northwest Coast Native art.
A Critical Study
As the first literary critical study of Vincent van Gogh’s letters, The Letters of Vincent van Gogh presents the painter’s letters as purposeful imaginative creations that chart van Gogh’s evolving conception of himself as an artist.
Manuscript Production in Shiraz, 1303–1452
Assesses the role of the city of Shiraz in Iranian book production between the early fourteenth and mid-fifteenth centuries.
Northwest Women Artists 1880-2010
Highlighting work in all media by women artists from Washington, Oregon, and British Columbia, this book presents an wide-ranging survey fo the personal and communal stories that inspired the legacy of Pacific Northwest art.
Whiteness, Indigeneity, and the National Imaginary
This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.
The Chinese Cultural Revolution, 1966-76
This book decodes the rhetoric of China’s turbulent decade, a time of both brutal iconoclasm and radical experimentation in the arts, to offer new insights into works that have transcended their times.
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