Cathy J. Schlund-Vials
Looking Back on the Vietnam War
Twenty-first-Century Perspectives
The Cinema of Rithy Panh
Everything Has a Soul
The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”
Looking Back on the Vietnam War
Twenty-first-Century Perspectives
The Cinema of Rithy Panh
Everything Has a Soul
The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”
