Cathy J. Schlund-Vials
Showing 1-4 of 4 items.
Looking Back on the Vietnam War
Twenty-first-Century Perspectives
Edited by Brenda M. Boyle and Jeehyun Lim
Rutgers University Press
Looking Back on the Vietnam War embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why. Each essay examines a different facet of the Vietnam War, offering fresh insights on the war’s long-term psychological, social, artistic, political, and environmental impacts. By putting these diverse pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies.
- Copyright year: 2016
The Cinema of Rithy Panh
Everything Has a Soul
Edited by Leslie Barnes and Joseph Mai
Rutgers University Press
The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”
- Copyright year: 2022
Looking Back on the Vietnam War
Twenty-first-Century Perspectives
Edited by Brenda M. Boyle and Jeehyun Lim
Rutgers University Press
Looking Back on the Vietnam War embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why. Each essay examines a different facet of the Vietnam War, offering fresh insights on the war’s long-term psychological, social, artistic, political, and environmental impacts. By putting these diverse pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies.
- Copyright year: 2016
The Cinema of Rithy Panh
Everything Has a Soul
Edited by Leslie Barnes and Joseph Mai
Rutgers University Press
The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”
- Copyright year: 2022
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