Maureen Honey

Showing 1-5 of 5 items.

Double-Take

A Revisionist Harlem Renaissance Anthology

Rutgers University Press

Brings together a comprehensive selection of texts from the Harlem Renaissance-a key period in the literary and cultural history of the United States. Offers a unique, balanced collection of writers--men and women, gay and straight, familiar and obscure. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essayists, poets, dramatists, and artists. Contains works from a wide variety of genres--poetry, short stories, drama, and essays, as well as biographical sketches of the authors. Includes most pieces in their entirety. Also includes artwork and illustrations, many of which are from original journals and have never before been reprinted, and song lyrics to illustrate the interrelation of various art forms.

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Shadowed Dreams

Women's Poetry of the Harlem Renaissance

Foreword by Nellie McKay; Edited by Maureen Honey
Rutgers University Press

This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet.

Shadowed Dreams features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimké, Gladys May Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from rediscovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice M. Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others.

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Aphrodite's Daughters

Three Modernist Poets of the Harlem Renaissance

Rutgers University Press

Aphrodite’s Daughters introduces us to Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery, African American poetic iconoclasts who viewed the female body as a source of strength and transcendence as they pioneered forthright modes of erotic self-expression during the Harlem Renaissance. Drawing from their published and unpublished poetry, along with rare periodicals and biographical materials, Maureen Honey immerses us in the lives of these remarkable women and the world in which they lived.   

  • Copyright year: 2016
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'Madame Butterfly' and 'A Japanese Nightingale'

Two Orientalist Texts

Rutgers University Press

Madame Butterfly (1898) and A Japanese Nightingale (1901) both appeared at the height of American fascination with Japanese culture. These two novellas are paired here together for the first time to show how they defined and redefined contemporary misconceptions of the "Orient." This is the first reprinting of A Japanese Nightingale since its 1901 appearance, when it propelled Winnifred Eaton (using the pseudonym Onoto Watanna) to fame. John Luther Long's Madame Butterfly introduced American readers to the figure of the tragic geisha who falls in love with, and is then rejected by, a dashing American man; the opera Puccini based upon this work continues to enthrall audiences worldwide.

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Creating Rosie the Riveter

Class, Gender, and Propaganda during World War II

University of Massachusetts Press
  • Copyright year: 1985
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