A compelling and illuminating collection of Canadian artist Ken Lum’s diverse writings from the early 1990s to the present.

Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.

Mobilizing Metaphor illustrates how radical and unconventional forms of activism, including art, are reshaping the vibrant tradition of disability activism in Canada, challenging perceptions of disability and the politics that surround it.

A remarkable volume that makes accessible for the first time and in one place a broad selection of more than 250 years of writing on Northwest Coast Native art.

This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.

Architecture and the Canadian Fabric traces how culture and politics have influenced, and been influenced by, Canadian architecture from first contact to the postmodern era.

Arguing that a comfortable microclimate is the foundation of well-used outdoor places, Robert Brown provides useful guidelines for dealing with climate data, site assessment, microclimate modification, communication, design, and evaluation.

Drawing on a wealth of artistic expression, this book explores how the arts and artists have shaped Canadian national identity.

An insightful analysis of how art was used to create an independent Canadian national identity, often at the expense of First Nations representation.