Preserving What Is Valued
Preserving What Is Valued explores the concept of preserving heritage. It presents the conservation profession's code of ethics and discusses four significant contexts embedded in museum conservation practice: science, professionalization, museum practice, and the relationship between museums and First Nations peoples.
Museum practice regarding handling and preservation of objects has been largely taken as a given, and it can be difficult to see how these activities are politicized. Clavir argues that museum practices are historically grounded and represent values that are not necessarily held by the originators of the objects. She first focuses on conservation and explains the principles and methods conservators practise. She then discusses First Nations people's perspectives on preservation, quoting extensively from interviews done throughout British Columbia, and comparing the British Columbia situation with that in New Zealand.
In the face of cultural repatriation issues, museums are attempting to become more culturally sensitive to the original owners of objects, forming new understandings of the “right ways” of storage and handling of materials. Miriam Clavir's work is important for museum professionals, conservators, those working with First Nations collections in auction houses and galleries, as well as students of sociology and anthropology.
Awards
- 2002, Winner - Outstanding Achievement Award, Conservation Category, Canadian Museums Association
Preserving What is Valued will resonate with conservators and curators in Australia who work with Indigenous Australian material culture. Clavir’s book elucidates the culturally-determined nature of values and motivations in cultural preservation, and the importance of adopting appropriate conservation methods. It is among the first major texts to provide a detailed examination of these issues.
Preserving What is Valued: Museums, Conservation and First Nations, a revised version of the author’s doctoral thesis, makes a significant contribution to the discussion of cultural heritage issues from a conservation standpoint.Firstly, Clavir is skilful and largely successful in drawing out the local focus in order to examine and illustrate far broader questions that concern us all: and, secondly, the depth in which the detail of often conflicting local views is explored is itself central to the making of some of the book’s most important views.
I found this to be an interesting, richly researched and carefully presented book. It is an excellent resource for those wanting to explore museum-source community debates about cultural heritage in Canada and in the relatively neglected area of conservation practice, and has considerable overall value as a text for those wishing to explore cultural heritage sites.
Illustrations, Figures, and Tables
Note about the Cover
Preface
Acknowledgments
Introduction
Part 1: Preservation and Museums
1 The Historical Development of Conservation and Its Values
2 Conservation Values and Ethics
Part 2: Preservation and First Nations
3 First Nations Perspectives on Preservation and Museums
4 First Nations of British Columbia
5 First Nations, Preservation, and Conservation: Personal Perspectives
6 New Zealand: A Comparative Study
7 “For What We Do”
Appendices
A List of Participants
B Conservation Codes of Ethics
C Glossary of Maori Terms
Internet Resources
Bibliography
Index
This Is Our Life
Haida Material Heritage and Changing Museum Practice
By Cara Krmpotich, Laura Peers, and the Haida Repatriation Committee and staff of the Pitt Rivers Museum and British Museum
