Crafted from memories, legends, and art, this powerful memoir tells the uplifting story of an Indigenous man’s struggle to reconnect with his culture and walk in the footsteps of his father and the generations of Kwakwa̱ka̱’wakw artists that came before him.

Exploring the making and experience of a lesbian feminist haunted house, this book reframes and reclaims queer feminist histories with humour, provocation, and theoretical sophistication.

This fascinating account of Ontario’s 1980s’ censor wars shows that when art intersects with law, artists have the power to transform the law, and the law, in turn, can influence the concept of art.

Contributors look at the myriad ways that English-language, Francophone, indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories.

Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.

Aspiring artist Alan Caswell Collier’s letters, sketches, and paintings recall in vivid detail life in Canada’s relief camps and the crisis of youth unemployment during the Great Depression.

Reading Vincent van Gogh is at once an interpretive guide to Van Gogh’s letters and a distillation of the key themes that reoccur throughout his collected letters.

Mobilizing Metaphor illustrates how radical and unconventional forms of activism, including art, are reshaping the vibrant tradition of disability activism in Canada, challenging perceptions of disability and the politics that surround it.