Bois-Brûlés shatters the prevailing orthodoxy that Métis communities are found solely in western Canada by demonstrating that a distinct community emerged in the fur trade frontier of Quebec in the early nineteenth century and persists to this day.

In examining how the technologies of museum bureaucracy – the ledger book, the card catalogue, the database – operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.

The Social Life of Standards reveals how political and technical tools for organizing society are developed, applied, subverted, contested, and reassembled as local communities interact with standards created by external forces.

Writing the Hamat̓sa critically surveys more than two centuries worth of published, archival, and oral sources to trace the attempted prohibition, intercultural mediation, and ultimate survival of one of Canada’s most iconic Indigenous ceremonies.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.

In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

Beyond Rights examines the legal, political, and cultural implications of the groundbreaking process of negotiating the Nisga’a treaty.

Small Bites travels the globe to show how biology and culture influence how children eat, and how child nutrition can be made more equitable and sustainable.

Frontier Fieldwork exposes the transformative power that early-twentieth-century fieldwork had in placing the Sino-Tibetan borderlands at the centre of China’s nation-making process and race to modernity.

In the Name of Wild takes you on the five-year journey one family made across five continents to re-imagine the meaning of wildness.